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Displaying 13 to 24 (of 97 products) Result Pages: [<< Prev]   1  2  3  4  5 ...  [Next >>] 
    Manufacturer   Product Name     
4x4 ND 1.8 Filter  Schneider  4x4 ND 1.8 Filter
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 1.8 (6 stops) and therefore reduces transmission by 98.5%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
 Miller Special Order Item 
4x4 Platinum IRND .3 Filter  Schneider  4x4 Platinum IRND .3 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x4 Platinum IRND .6 Filter  Schneider  4x4 Platinum IRND .6 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x4 Platinum IRND .9 Filter  Schneider  4x4 Platinum IRND .9 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x4 Platinum IRND 1.2 Filter  Schneider  4x4 Platinum IRND 1.2 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x4 Platinum IRND 1.5 Filter  Schneider  4x4 Platinum IRND 1.5 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x4 Platinum IRND 1.8 Filter  Schneider  4x4 Platinum IRND 1.8 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x4 True-Cut Ultraviolet UV Infrared IR 680 Blocking Filter  Schneider  4x4 True-Cut Ultraviolet UV Infrared IR 680 Blocking Filter
The Schneider Optics True-Cut IR 680 is similar to the True-Cut 750 except that it blocks light at the very edge of the visible spectrum for certain high definition cameras that require extra IR blocking to achieve true black tones. Some cameras that can take advantage of the extra IR blocking abilities of the True-Cut IR 680 are the Sony PMW-EX1 and PMW-EX3.
 Miller Special Order Item 
4x4 True-Cut Ultraviolet UV Infrared IR 750 Blocking Filter  Schneider  4x4 True-Cut Ultraviolet UV Infrared IR 750 Blocking Filter
Most high-definition cameras have a high sensitivity to light in the IR spectrum, and though the IR light is not visible to the human eye, it can result in odd color shifts and prevent a camera’s imagers from capturing true blacks. As digital cinematographers use multi-stop neutral-density (ND) filters to allow them to open their lens iris for more depth of field, IR light begins to dominate light from the visible spectrum, making its pollution all the more apparent.
 Miller Special Order Item 
4x5.65 ES Essential Filter Kit for RED (4 filters)  Schneider  4x5.65 ES Essential Filter Kit for RED (4 filters)
The 4X5.65 Essential Filter Kit for RED features (4) Schneider Filters in a 4-filter pouch. Neutral Density filters control exposure or depth of field under various lighting conditions without affecting color or contrast.
 
4x5.65 ND 0.3 Filter  Schneider  4x5.65 ND 0.3 Filter
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.3 (1 stop) and therefore reduces transmission by 50%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
 
4x5.65 ND 0.3 SEH Soft Edge Graduated Horizontal Filter  Schneider  4x5.65 ND 0.3 SEH Soft Edge Graduated Horizontal Filter
This is a Graduated Neutral Density Filter used for Cinematography. 50% of the filter is clear and 50% has a Neutral Density of 0.3 (1 stop). The transition from clear to ND is done with a SOFT EDGE (SE) transition line. SOFT EDGE grads lines are used with wide angle and normal focal length lenses. Graduated Neutral Density filters are used to balance exposure within a scene. One very common use is to balance the exposure of sky and earth in a landscape, avoiding overexposed blank white skies.
 
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