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Displaying 25 to 36 (of 97 products) Result Pages: [<< Prev]   1  2  3  4  5 ...  [Next >>] 
    Manufacturer   Product Name     
4x5.65 ND 0.6 Filter  Schneider  4x5.65 ND 0.6 Filter
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.3 (1 stop) and therefore reduces transmission by 50%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
 
4x5.65 ND 0.6 SEH Soft Edge Graduated Horizontal Filter  Schneider  4x5.65 ND 0.6 SEH Soft Edge Graduated Horizontal Filter
This is a Graduated Neutral Density Filter used for Cinematography. 50% of the filter is clear and 50% has a Neutral Density of 0.6 (2 stops). The transition from clear to ND is done with a SOFT EDGE (SE) transition line. SOFT EDGE grads lines are used with wide angle and normal focal length lenses. Graduated Neutral Density filters are used to balance exposure within a scene. One very common use is to balance the exposure of sky and earth in a landscape, avoiding overexposed blank white skies.
 
4x5.65 ND 0.9 Filter  Schneider  4x5.65 ND 0.9 Filter
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.9 (3 stops) and therefore reduces transmission by 87.5%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
 
4x5.65 ND 0.9 SEH Soft Edge Graduated Horizontal Filter  Schneider  4x5.65 ND 0.9 SEH Soft Edge Graduated Horizontal Filter
This is a Graduated Neutral Density Filter used for Cinematography. 50% of the filter is clear and 50% has a Neutral Density of 0.9 (3 stops). The transition from clear to ND is done with a SOFT EDGE (SE) transition line. SOFT EDGE grads lines are used with wide angle and normal focal length lenses. Graduated Neutral Density filters are used to balance exposure within a scene. One very common use is to balance the exposure of sky and earth in a landscape, avoiding overexposed blank white skies.
 
4x5.65 ND 1.2 Filter  Schneider  4x5.65 ND 1.2 Filter
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 1.2 (4 stops) and therefore reduces transmission by 94%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
 Miller Special Order Item 
4x5.65 ND 1.2 SEH Soft Edge Graduated Horizontal Filter  Schneider  4x5.65 ND 1.2 SEH Soft Edge Graduated Horizontal Filter
This is a Graduated Neutral Density Filter used for Cinematography. 50% of the filter is clear and 50% has a Neutral Density of 1.2 (4 stops). The transition from clear to ND is done with a SOFT EDGE (SE) transition line. SOFT EDGE grads lines are used with wide angle and normal focal length lenses. Graduated Neutral Density filters are used to balance exposure within a scene. One very common use is to balance the exposure of sky and earth in a landscape, avoiding overexposed blank white skies.
 Miller Special Order Item 
4x5.65 ND 1.5 Filter  Schneider  4x5.65 ND 1.5 Filter
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 1.5 (5 stops) and therefore reduces transmission by 97%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
 Miller Special Order Item 
4x5.65 ND 1.8 Filter  Schneider  4x5.65 ND 1.8 Filter
This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 1.8 (6 stops) and therefore reduces transmission by 98.5%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.
 Miller Special Order Item 
4x5.65 Platinum IRND .3 Filter  Schneider  4x5.65 Platinum IRND .3 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x5.65 Platinum IRND .3 Filter  Schneider  4x5.65 Platinum IRND .3 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x5.65 Platinum IRND .6 Filter  Schneider  4x5.65 Platinum IRND .6 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
4x5.65 Platinum IRND .9 Filter  Schneider  4x5.65 Platinum IRND .9 Filter
Schneider’s new Platinum Series IRND filters limit the light striking the camera’s CCD or CMOS imager to the visible spectrum. By carefully calculating the cutoff frequency in nanometers, we have been able to produce a near-infrared cut filter that lets users of high definition cameras get the most out of their camera gear. This means the benefit of an extended color gamut without the worry of unwanted false colors. Eliminating the near-infrared light leakage lets the camera maintain true color rendition in the blacks while maintaining high MTF of its lenses and camera system.
 
Displaying 25 to 36 (of 97 products) Result Pages: [<< Prev]   1  2  3  4  5 ...  [Next >>] 
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